Ashley McBryde

GRAMMY, CMA and ACM award winner Ashley McBryde cut her teeth playing country songs in biker bars–and it shows. The Grand Ole Opry member’s 2018 major label debut Girl Going Nowhere (Warner Music Nashville) charmed The New York Times, NPR, Rolling Stone, Paste, The Washington Post and more, all en route to landing a GRAMMY nomination for Best Country Album. McBryde closed out 2019 with ACM New Female Artist, CMT Breakout Artist, a New Artist of the Year win at the 53rd Annual CMA Awards and two nominations for the 2020 GRAMMYs for Best Country Song and Best Country Solo Performance for “Girl Goin’ Nowhere.” Follow-up Never Will was tagged by Rolling Stone as one of the most anticipated of the year alongside NPR, who also ranked her Top 10 RIAA Platinum-Certified single “One Night Standards” as one of the best songs of 2019. The album earned McBryde a 2021 GRAMMY nomination for Best Country Album, making Never Will the only album nominated for Country Album of the Year by the ACMs, CMAs and the Recording Academy in the same award season. Her GRAMMY-winning duet with Carly Pearce, “Never Wanted To Be That Girl,” went all the way to No. 1 and earned McBryde and Pearce the ACM and CMA award for Musical Event of the Year. McBryde was honored with the 2022 CMA International Artist Achievement Award for the most significant creative growth, development and promotion of the country music industry outside of the United States. Her collaborative project Ashley McBryde Presents: Lindeville earned McBryde her third consecutive GRAMMY nomination for Best Country Album, making her a six-time nominee. Her latest album The Devil I Know was released to critical acclaim, earning a title as one of the best country albums of the year from Rolling Stone, Billboard, Slate, PASTE, Holler and more. McBryde offers poetic nostalgia with her latest release, “Ain’t Enough Cowboy Songs,” with Billboard observing, “her voice, as always, rings with an earthy authenticity and earnestness,” while Stereogum asserts “she’s one of the best we’ve got.” The Arkansas native joins Cody Johnson’s Leather Deluxe Tour through spring 2025 among festival performances at Country Thunder Arizona, Stagecoach and WE Fest.

There is bar stool seating behind the orchestra and balcony sections. In the orchestra, it is behind row 21, and in the balcony, it is behind row 26. It is general admission seating. Seating is based on a first-come, first-served basis. Doors for all shows open one hour before show time. All barstools have cushioned seats and backs.

There is an overall 8 ticket limit for this event. Must be 21 years of age to attend the event.

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